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From Ritual to Modern Art Edited by This beautifully produced and lavishly illustrated book addresses the
huge imbalance in appreciation and representation of African art.
Museums, exhibitions, lavish catalogues, magazines, and publications
on African art are largely dominated by non-African scholars and
institutions. These imbalances lie in the economic and political
discrepancies, the history of European colonialism in Africa, and the
Western tradition of scholarship and public education on art, history
and ethnography. Outside Africa, East African art has been assumed to
be more or less non-existent. This is one of the few publications to
have come out of Tanzania, bearing witness to the appreciation of
sculptural art and its tradition in that country. The book arose out
of a symposium on The Significance of Traditional Cultures for
Today's Society which brought together Tanzanian and other experts
organised by the National Museums of Tanzania and the German Cultural
Centre in Dar es Salaam. Papers from that symposium, together with
additional articles on the history and current state of sculpture in
Tanzania, present art from an African perspective, and include
contributions from Western scholars joining forces with African
scholars. Sociological, ethnological and art historical approaches
are included, illustrating sculpture as the prime example of fine art
in Africa, both in its purely aesthetic sense and intricately linked
with its ever changing cultural context. African Books Collective, Oxford
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